
A short film
A story about singing
From the Voices
of Children
About
In the wake of the SARs-CoV-2 pandemic, this short film explores how kids feel about singing.
Inspired by the work of seminal music educator and ethnomusicologist, Patricia Shehan Campbell (1998, 2010), between 2022 and 2024 the From the Voices of Children research team interviewed over 100 children from across the province of Alberta, Canada in order to determine what singing means to children, especially in the wake of the SARS-CoV-2 pandemic. Although the benefits of singing have been thoroughly investigated from adult perspectives, a distinct gap exists in the research literature that features children as research collaborators with emphasis placed directly on a child’s own perspective.
Listen to the children…so as to learn who they musically are. (Shehan Campbell 2010)
A study revealing how children articulate their notions of singing…and how they (and their parents) consider singing within a social milieu would provide a deeper understanding of how children relate to singing from physiological, pedagogical and social perspectives. (Ries 2004)
Over a period of two years, diverse groups of children between the ages of 5 to 15 drawn from school, community and conservatory contexts and representing urban and rural settings generously shared a wealth of insights about the importance and benefits of singing.
During the COVID-19 pandemic, many singing activities were heavily modified or cancelled. This encouraged the research team to further their research by asking questions about how this loss of singing would impact children (Dahm et al 2022). According to Canadian researchers, Morin and Mahmud (2021), during the pandemic years:
71% of...students were unable to engage in music learning through singing
91% of students who previously enjoyed the benefits of [singing] were not able to access their regular music-making experiences
With COVID-19 restrictions now behind us, the question of a world without singing still lingers. This short film provides a platform for children to describe, in their own words, what singing means to them.
Do they enjoy singing?
What does singing mean to them?
What is a world without singing?
References
Campbell, P. S. (2010). Songs in their Heads: Music and its Meaning in Children's Lives (2nd ed.). New York, NY: Oxford University Press
Campbell, P. S., & Wiggins, T. (2013). “Giving voice to children.” In P. S. Campbell & T. Wiggins (Eds.), The Oxford Handbook of Children's Musical Cultures (pp. 1–24). Oxford: Oxford University Press.
Dahm, L. C., Flesher, J., Cantarelli Vita, J., & Campbell, P. S. (2022). Families as small-community quarantine pods of sociomusical engagement. International Journal of Community Music, 15(2), 211–229. https://doi.org/10.1386/ijcm_00060_1.
Morin, F., & Mahmud, M. N. (2021). Singing in Canadian Schools: COVID 19 Impact Survey. Unpublished preliminary findings. Choral Canada.
Ries, L. A. (2004). The child voice as social construct. (Doctoral dissertation, University of Alberta, 2004). Dissertation Abstracts International, 58 (08), 3057 A. (UMI No. 9806115)
The Making of This Film
To effectively communicate and disseminate the research data, in collaboration with filmmaker Holly Mazur and her production company, Holly Mazur Productions, an advocacy film was created featuring children freely sharing their responses to questions posed by the From the Voices of Children research team.
In order to achieve the goals for this documentary, research participants spent a day together in a workshop immersed in singing and song. This setting also provided an opportunity for children to respond freely to research questions through one-on-one interviews with one another. The opinions therefore expressed in this documentary come from the children themselves and provide a genuinely candid and authentic perspective as to the meaning of singing in the lives of children.
Capturing a room full of singing voices, accompanied by piano, is a layered challenge that required complex technological considerations. Many hours of pre-production, location scouting and creative, collaborative discussions helped to create a format that would allow for the children’s genuine voices to come through. Holly Mazur is very honoured to have worked with the From the Voices of Children research team to tell this story, and she is grateful to her crew (Lance Andersen - Camera, Dmitri Bandet - Sound Recordist), and her creative partner Myles Belland (Editor and Co-Director - Myles Belland Studios) for their incredible contributions to this film.
Acknowledgements
From the Voices of Children acknowledges the generous support from the following agencies, institutions & individuals:
Social Sciences & Humanities Research Council of Canada
University of Alberta (UA) Endowment Fund for the Future & Support for the Advancement of Scholarship
UA President’s Grant for the Creative & Performing Arts
KULE Institute for the Advancement of Scholarship/ATA Research Collaboration Grant
KULE Institute for the Advancement of Scholarship Collaborative Outreach Grant
UA Augustana Faculty
Choir Alberta
Wetaskiwin Regional Public Schools
Cantilon Children’s Choir
Edmonton Youth Choirs
Korora Choirs, Kikimasu & Tamariki
Castor Municipal Library
Coronation Memorial Library
Music educators from across the province of Alberta who share their love for music in private studios, community choir programs, urban & rural schools
~
FVC research has been reviewed and approved by the Research Ethics Board at the University of Alberta.
Pro 00111994 | Pro 00118431 | Pro 00123426